At this point it seems almost inevitable that the soundtracks for the earlier episodes of P2A will consist of new music, perhaps in the style of those who end up with Wolf in the room on Rauhensteingasse in “Vienna Mystery”. However, it is my thinking at this time that there is only one piece of music that would be appropriate for the epilogue, currently called “Revenge of the Mozarts” — and that is the Requium that he was forced, by need of money, to write under another’s name. Although Wolf was not allowed to live long enough to complete it — he was, in fact, digging his own grave in composing it, and was aware of that — there are many ideas and motifs that accurately represent not only his sublime musicianship, but his character and attitude at what seemed inevitably to be the approach of an untimely death.
Le Chant du Rossignol...(song of the nightingale) 