Tag Archives: Monostatos’ Orchestra

On your birthday…request to “Monostatos”…:-0

Scan 27

Have you considered giving a birthday gift to your colleagues in the MO?  Let me make a gentle suggestion — why not tell them the truth about die zauberflote?  You know, that gift of perfection of sound that caused you to spend about 666 days insinuating yourself into the lives of me and my three little children, only to then run out of our house with your tail between your legs?  Hmmm…That gift that caused you to entice me onto the stage at Orchestra Hall to ‘practice’? Then did you not slander me to your colleagues and encourage them to boycott my concerts; thus, in effect, taking food out of the mouths of my children?  That gift that, no matter what evil strategy you may have used to attempt to attack me or my children, has, as even you can see, resulted in everything working for our good? That gift which works precisely the way Wolfgang Mozart said it would in his prophetic opera The Magic Flute? “Thy magic tones, they speak for me; my message carry.  Thou all cares of heart canst banish, and hate, and hate and wrong before thee vanish?”

Just a thought…:-0

 

 

The significance of die zauberflote, and the price that some have paid…

  1. Since the time of my experiences with “Monostatos’ Orchestra” and the demise of some of its members, I have said with regret that it seems that the aisles of Orchestra Hall are full of the corpses of those who have tried to block die zauberflote (the flute, not the opera) and slander me.  Why, I have asked plaintively, would I want there to be any more?
    Here is a current example of what happened to someone who tried to do this…
    During the summer of 2014, for some unknown reason, Andrew Patner decided to attempt to slander me on a blog called Slipped Disc.  Less than six months later he was dead:
    When I read his first slanderous post I contacted Norman Lebrecht, who manages the blog.  Although it is my thinking that Norman realized I was only posting under my own name and that there was no basis to Mr. Patner’s rant,  he did nothing to bail me out, which he occasionally does when a thread gets too far off base.  I found that disappointing.
    Here is the thread including his rant and my replies…
    Andrew Patner says:

    Ah, are you all just now learning about Ms (?) Pamela McElwain-Brown of Minneapolis USA (and always “born in Fairfield CT”? For seven years (until January 2014) she ran Blogspot weblogs called AndrewAndJoshua and JoshuaAndAndrew in which she impersonated a young gay male couple in Minneapolis and Boston as well as all of their friends, relatives, *and* site commenters. Behind these sock puppets she went after the then longtime critic of the Cleveland newspaper mercilessly and falsely. Again hiding her (?) identity she viciously went after individual orchestra players in Minnesota by name during their lockout. She is also very active — in this case using the Pamela McElwain-Brown name — as a JFK assassination conspiracy theorist. Apparently PMcEB at last lost interest in her web children and left them all hanging seven months ago. Here is her flute website: http://www.themagicflute.org She reminds me overall of a character in a late Hitchcock film. (And of course “George Kaplan” is the man who does not exist in Hitch’s “North by Northwest.”) Caveat lector! I know from experience, I admit. Oy!

    1. Amy says:

      Good to hear from you regarding Pamela, Andrew! Those creepy blogs savaged some good friends, some musicians I admire and some strangers I have always had compassion for, having been hurt for no reason other than pure malice. (Just what the world doesn’t need any more of.)
      Oy! back at you…!

      1. Amy, it is my impression that you are well aware that someone created a false blog about me and is using my image without a release.

    2. sdReader says:

      Thanks, Andrew. I always thought she was a bit odd. Then I realized she was a musician, and she seemed genuinely interested in the Minneapolis war, so I have given her comments a little more weight recently.

      1. What purpose can you possibly have into taking this thread OT?

    3. Why would anyone take this thread OT with a mismash of fact and libel? :-0

    4. Elise says:

      Thanks for the info, Andrew. In case anybody wants to keep track, “Pamela” also uses the following aliases: Joan Marshall, Claudia Menlo, Andrew van Zeveren, Joshua Adams, Sarah Westfield, Ron Brown, Hiram Foster, David von Pein, Anna Smith O’Hara, George Kaplan, Edgar Brenninkmeyer, and others.

      1. sdReader says:

        Edgar B is Pamela too? Oh, this really does need to be policed. It’s just wasting people’s time!

      2. That is false. I post using my own name and a photo. And, again, of course, OT.

      3. OT and false. Unlike you, I post using my first and last name and a photograph.

        1. sdReader says:

          Good. I’m glad to read this — because I can tolerate a wacky someone coming here with 2 or 3 identities and engaging in what Amy Adams aptly called dolls talking to each other, but Elise’s list of 12 or 13 false names, including one I spent time conversing with, just turns me off completely.

          You are claiming, then, that Andrew Patner’s research about you no longer applies?

          1. I only post on this blog using my real name and a photo. Why don’t you do the same?

            Andrew’s posts are a mixture of fact and libel. However, as this thread has been hijacked from its original topic, which is the Met, I do not plan to reply to it line-by-line on this blog.

  2. Andrew Patner says:

    One can hope that exposure lessens the audacity of these sorts of folks, Amy. At least people now know who this one “is” and can screen her (?) out. Sigh. And thanks!

    1. Guess I’ll have to work harder to win you over. :-0

      1. sdReader says:

        Or Slipped Disc will have to work harder to get rid of you. Annoying sick woman!

        1. OT.
          Plus, I post using my own name and a photo. You don’t and are making a libelous claim. Just which is ‘sick’?

          1. sdReader says:

            “I post using my own name and a photo” tells us nothing.

            “I post using ONLY my own name and a photo” would begin to address the concerns you have raised this week with at least three bona fide readers.

            Wondering what Norman thinks of this … .

          2. I do apologize for not making myself sufficiently clear to you. I only post on this blog under my own name and with a photo. Any other claim is false.

            And Norman manages to deal not only with those who are not hiding behind an alias as well as those who are with considerable aplomb, imo.

  3. Andrew Patner says:

    Thank you, Elise. Six years ago (!) when I rather belatedly cracked the scam of “her” bizarre “Andrew and Joshua” weblogs and then shared the story on my website, I wrote, “So I guess the great unraveling is done now. ‘La commedia è finita.’” Perhaps now, with your larger catalogue of this person’s mischief-making — sometimes trivial, sometimes seriously harmful — aliases, this nonsense will at least subside. Probably not, though: A person living in his/her own universe with time on his/her hands . . . At least people now know the web that has been woven.

    1. OT, Andrew.

      I am surprised that someone using their own name would post information they have already been told is false. I have nothing to do with “Andrew and Joshua” blogs. Someone other than me created it and is falsely using my image. I am working to have it removed but WordPress is not helping me and def lawyers, as you may realize, are expensive.

  4. Andrew Patner says:

    I certainly have no plan to respond to whomever it is who regularly clutters up these and other pages with some 15 different aliases (though almost always the same personality and phrasing). But as Norman Bates (certainly not Norman Lebrecht! 😉 )/Mother Bates has several times tossed the word “libel” out the window of his/her Motel, one notes that truth cannot libel nor is it clear how imaginary characters and sock puppets could be libeled, harmed, or defamed even if there were any intention or malice, which, of course there is not. I and others here are only calling attention to the single identity of an individual who has sucked in enough people and wasted enough of their time one place or another for at least the past seven years. If people wish to engage with this individual about any subject, or let him/her post comments on their websites, that’s not my affair. As I said initially: Caveat lector!

    1. sdReader says:

      It is Norman’s duty to police this blog.

      For the time being, we must accept Pamela Brown’s assertion that on Slipped Disc she uses only her own name and image.

      But I’m somewhat turned off. 24 hours ago I didn’t understand what Amy was getting at.

      And I’d still like to know whether my dialog with “Edgar Brenninkmeyer” was honest or not, in light of Elise’s post!

    2. Andrew, I have absolutely no idea what you are talking about. I only post on this blog using my own name and a photo. I have only posted on this blog since the MO lockout began.

      I sincerely hope that you will apologize.

  5. SDreader said, “For the time being, we must accept Pamela Brown’s assertion that on Slipped Disc she uses only her own name and image.”

    This is your viewpoint while hiding behind an alias? With all due respect, just what color is the sky in your world today? :-0

    BTW, I will be responding in detail to Andrew Patner’s ‘research’ on a post on my own blog and will provide a link here when that happens. In the meantime, let me just state for the record that he has my name right, he used my actual website http://www.themagicflute.org, and I am a JFK researcher. Everything else from almost the first word is false. I was not ‘born’ in Fairfield, CT. I was born in Chicago.

    1. Come to think of it, SDreader, you don’t have to ‘take my word’ for anything. All you need to do is Google my name, “Pamela Brown”. I quit using my birth family name some years ago to give them a layer of protection.

      It has been my privilege to be a “public figure”, so to speak, in the narrow yet international niche of JFK research for some time, have been published, have presented at conferences and participated in a number of TV programs.

      On the other hand, if you would prefer to keep your head in the sand, don’t let me stop you. :-0

  6. Andrew Patner says:

    My sincere apologies to all! Wherever this person was born, the claim PB makes is that she “is originally from Connecticut,” “grew up in Fairfield, CT,” and that it is her “Hometown.” I am sorry to have so grievously misread those statements and to learn that, under whatever name, she now says that she was born in Chicago. She also writes: “Unquestionably, the most unusual musician of her generation, Pamela Brown has been called ‘the most exciting musician since Mozart’ and her playing ‘the real magic flute’ by ‘professionals’ we will just refer to as “Monostatos”, who then shunned have attempted to lock her out.” PB also tells us that these people were known to “target my children.”

    As stated twice before, this is not someone people want to spend time with/on without open eyes, if then. Have a nice day, all!

    1. Andrew, while I appreciate your apology, it is a bit difficult for me to understand if you are directing it to me or someone else. I sincerely hope we can find a way to move forward in a positive manner.

      BTW, I was born at Cook County in Chicago. My family moved to CT. I grew up in Fairfield.

      I’ll discuss your other references on my own blog soon and provide a link here when I do.


– See more at: http://slippedisc.com/2014/08/met-latest-artists-celebrate-gelb-in-disarray/#sthash.UDzg9rEo.dpuf

#MinnegeddonPartDeux…just how does a band that locked-out Mozart make a ‘comeback’? :-0 (M4B)*

Monostatos’ Orchestra seems to be attempting to go through a sort of rebirth.  After the contentious and bitter lockout, which may well, in fact, have been in response to their, in effect, locking Mozart out some time ago, in terms of the great gift that I call die zauberflote, they seem to want to put the dismal recent past events behind by making a foray into new performing territory (not a bad idea) and conducting a media blitz intended to showcase them as ‘new’.  Frankly, virtually nothing about this organization is ‘new’.  In fact, what we may well be seeing is more of the ‘same-old, same-old’.  Not that the ‘same-old’ is ‘bad’, just that it is predictably the same — a veneer of ‘grace’ and ‘loveliness’ masking the fact that its ‘voice’ (if you can even call it that) is empty and dead…

Why, you might ask, am I not tempted into mushy sentimentality about the supposed newness of the recent ‘historic’ runout or accompanying schmoozy current ad strategy?  Frankly, any group who can put up with the character I call “Monostatos” is not deserving of being taken seriously.  It has, in fact, settled its fate in my mind once and for all.  Ironically, it appears that one of the previous administrators of this group attempted to oust this person, but in a turn of irony, they were the one to go.  So I hold to no illusions about this situation. (I am, in fact, speaking from personal experience.  I learned the hard way, and am not about to be fooled again.)

So, what is actually going on here?  This is my impression.  If this group was, in fact, put under judgment by the Lrd for their treatment, not only of an extraordinary gift of music, but of a gift of the Holy Spirit, they had the opportunity to, for example, come to repentance over the initial lockout during their own prolonged 18-month lockout and make appropriate apologies and amends.  They were aware of the facts involving the initial lockout.  But they chose to ignore that information and, in effect, ‘rebuild’.  Not even simply rebuild, but attempt to claim they have re-invented themselves.  I doubt that will work.  I sincerely hope that believers will look very critically at having any involvement with this group, especially anything involving their children (yes, they manage to insinuate themselves in many schools).  I consider the effect of their music unhealthy.

If I am correct, this glossy sheen of new-found respectability will in time wear thin and the public will once again have no choice but to deal with the grisly reality at the core of this group.  As long as Monostatos is being protected there, this is an organization that can only be called Anti-Mozart.  And, as we are, artistically speaking, currently in the middle of what I call “Minnegeddon” (this being ‘PartDeux’ as post-MO lockout) — that is the time when all Anti-Mozart is revealed.  And so it will be.  I could be wrong.  But I don’t think so…

*Mozart for Believers…